已收录 272983 条政策
 政策提纲
  • 暂无提纲
The body as spectacle: beauty and biraciality in American literature and film, 1852-2002 Marta Alaina Holliday , University of Iowa Follow
[摘要] This project discusses the aesthetic representations of biracial (i.e. African American and Anglo-American) femininity that have persistently occurred in fiction, non-fiction, magazine and film from the antebellum era through the turn of the twenty-first century. It spans the first novel published by an African American (Clotel by William Wells Brown, 1852) through the Oscar-winning movie Monster"s Ball (2001), for which the biracial Halle Berry became the first self-identified African American to win the Best Actress award. Various chapters scrutinize biracial characters that appear in nineteenth and twentieth century novels and memoirs, while others contemplate landmark but often controversial films from later generations. Finally, it concludes with an analysis of the memoirs of several emerging contemporary writers and public figures who accept and who ultimately embrace all of what they are (e.g. Sadie and Bessie Delany, Having Our Say, 1993, Bliss Broyard, One Drop, 2007, Danzy Senna, Where Did You Sleep Last Night, 2009). While the "tragedy" of the "tragic" mulatta"s existence more obviously connotes the heroine"s inner torment over her inability to racially "belong," this project focuses on interpreting "tragedy" in the literal, visceral sense, via the heroine"s untimely and often brutal death, and any abuses that she may suffer. Existent research on the tragic mulatta has minimally addressed the role of appearance and visceral suffering in the heroine"s life; the causes and consequences of the heroine"s actual, visceral demise are less studied than the metaphorical or psychological implications of "tragedy."
[发布日期]  [发布机构] 
[效力级别]  [学科分类] 
[关键词]  [时效性] 
   浏览次数:3      统一登录查看全文      激活码登录查看全文